Whether you're a film student or a video pro, you don't need a studio to make a rough cut in the field. These top laptop picks can breeze through demanding video-editing tasks. Here's how to judge just what you need: CPU choices, storage basics, screen traits, and more fine details.

The 13-inch MacBook Pro is Apple's best ultraportable laptop, thanks to stylish looks, an excellent touchpad, and long battery life.

With a larger display, a beefier graphics chip, and (vitally and finally!) an improved keyboard, Apple's 16-inch MacBook Pro is a beyond-capable big-screen powerhouse built for creatives.

Nvidia's earth-shaking Quadro RTX 5000 makes the Lenovo ThinkPad P53 one of the most powerful mobile workstations you can buy. It's hefty and pricey, but it obliterates big workflows like nobody's business.

The Surface Book 2 is a feat of design, a top-of-the-line premium convertible 2-in-1 laptop that's fast, long lasting, versatile, and portable. It's even up for gaming.

The MSI WS75 is a big-screen mobile workstation that weighs two and a half pounds less than its rivals, while packing eight-core CPU power and Nvidia's latest professional graphics. The display's just average, but the laptop on the whole is impressive.

It's not cheap, but Acer's elegant white ConceptD 7 combines six-core CPU muscle, a classy 4K display, and blazing GeForce RTX graphics to tempt 2D and 3D creative types.

The Asus ZenBook Pro Duo is a thoughtful, albeit pricey, reinvention of the laptop, with a second screen in the keyboard base and an Intel Core i9 processor that should appeal to creative professionals with resource-intensive workflows.

Lenovo freshens its 15.6-inch status-symbol ThinkPad X1 Extreme with new CPU choices, along with faster (if not blazing) graphics and gorgeous displays. But it faces a fierce fight from two refreshed icons: Apple's MacBook Pro and Dell's XPS 15.

HP's ZBook Studio x360 G5 isn't the fastest or lightest mobile workstation you can buy, but its convertible design makes it a natural for presentations or pen input.

Razer's 2019 revision of the Blade Pro 17 pares away some of what set apart the last-gen model, but the trimmed-down design and ample pep make this luxe system appealing enough among 17-inch gaming laptops.

Powerful laptops weighing just a few pounds can now handle many of the tasks that editors used to perform on intricate and expensive equipment in a studio. So whether your boss expects you to make first edits in the field, you're a film student, or you just want to review your vacation footage on your flight home, you should consider a laptop with robust enough specs for video editing. Here's what to look for.

Companies seldom make laptops specifically for video editing in the same way they push bulked-up machines for PC gamers, or Chromebooks targeted at students. That means you'll have to pick and choose features from among standard laptop categories such as ultraportables, gaming laptops, and mobile workstations. Your list of most-wanted features could end up belonging to a dream machine that doesn't exactly match any laptop currently for sale. But at least you'll have a starting point from which to make compromises.

Devoting most of your budget to a powerful CPU, a buffed-up graphics card, and many gigabytes of memory is a safe bet, but ancillary features such as storage, input/output options, and the operating system are far more important factors for you than they are for the average laptop shopper. So is weight, since even a few extra pounds could push your already heavy bag over an airline's weight limit or make your carry-on too fat to fit into an overhead bin.

Display specs are especially important, especially if you plan on using your laptop for more advanced editing tasks such as shading and color correction. A comfortable keyboard is a must, too, since keyboard shortcuts help streamline many editing tasks, from starting and stopping playback to adding keyframes.

Finally, there are a few features common on laptops that you don't need to worry about when buying a mobile video-editing station. Chief among them is battery life, since video editing consumes so much power that your laptop will probably spend most of its time plugged in. If editing on the road is a must, buy a power strip and spare adapter for hotel rooms, and make sure your flight has in-seat power outlets before you buy a ticket. Neither will you get much use out of a touch screen or a convertible laptop that doubles as a tablet, unless you're looking for a machine that you'll also use for web browsing and watching videos after the end of a long day of shooting and editing.

The two most important laptop components for video editors are the CPU and memory. Most applications are optimized to take advantage of modern multi-core CPUs, which usually means that the more cores you have, the better. Multithreading, which enables each core to handle two processing threads simultaneously, is also important. To find out more about the CPU in the laptop you're eyeing, look it up in Intel's product directory.

For a bird's-eye view of how a higher processor core count increases performance, you'll want to check out how well the laptop you're considering fares on our Cinebench benchmark, which is listed in the performance section of each review. This test uses software from video-effects titan Maxon to spit out a proprietary score based on how quickly the PC can render a 3D image. Although multiple factors can influence the score, in general, the more (and faster) cores the CPU has and the more addressable threads it supports, the quicker the image renders.

The principle is the same for video-editing software such as Apple Final Cut Pro and Adobe Premiere Pro, which are engineered to distribute compute tasks over multiple cores just like Cinebench. Any Cinebench result above 700 is excellent for a laptop, and suggests that it will be an adequate video-editing machine. Typical machines with these results range from some Core i7-powered ultraportables to most mobile workstations equipped with Xeon processors. Note, however, that desktops with full-powered CPUs can push far above 1,000 on this test.

As for memory, a good rule of thumb is that you should select a laptop with 16GB of RAM. For many consumer ultraportables, this is the limit, although you can now order some laptops with 32GB or more. The cost is often prohibitive, however, and we think the money is better spent on a faster CPU, so we're calling 16GB the sweet spot.

To complete the trifecta of principal specs, you'll want a fast boot drive. In nearly all cases, this means configuring a laptop with a solid-state drive (SSD), which can access data much faster than older spinning drives. For everyday computing use, the speed difference between an SSD and a spinning-platter hard drive is vast, since an SSD's main skill is decreasing boot times and making apps load faster. These things don't matter as much for video editing, but an SSD will still offer noticeable speed gains on specialized tasks such as playing back multiple clips at once or working with 4K footage.

Ideally, you want a capacious hard drive in addition to a speedy SSD, but since the cost of built-in SSDs skyrockets at capacities above 1TB, it's more cost effective to make sure your laptop has a Thunderbolt 3 connection to enable a link to a fast external drive where you'll store most of your footage. That said, some larger workstation and gaming machines can offer two drives (an SSD boot drive, plus a roomy hard drive), and if you're in the market for a big machine, this is an ideal video editors' arrangement: both speed and mass storage at your disposal, without external-drive hassles.

When it comes to assessing SSDs, midrange and high-end machines have moved toward SSDs using the PCI Express bus (often associated with the term "NVMe," for a protocol that affords faster data transfers than ever). These are faster than drives that use the older SATA interface, which you'll want to avoid if possible.

Most non-gaming laptops come with graphics-acceleration silicon that's part of the CPU, not a separate graphics processing unit (GPU). This arrangement offers weak performance if you're playing richly detailed, AAA-grade video games, but it's actually fine for many video-editing scenarios. Nearly all video-editing suites are designed to take advantage of more powerful processors, but the ability to leverage powerful graphics-processing hardware isn't as common.

There are a few exceptions. For example, a discrete GPU can speed up the video-encoding process in Final Cut Pro X, and Blackmagic's Davinci Resolve editing suite has a video-playback engine that's optimized for powerful GPUs. In fact, Davinci's Linux version offers support for as many as eight individual GPUs. Since the highest number of graphics processors we've ever seen in a laptop is two (and that's quite rare, seen only on elite, gigantic gaming rigs that tend to exceed $5,000), it's best to save GPU-accelerated editing tasks for when you get back to the studio.

That said, if the laptop you're considering offers an entry-level discrete GPU for a reasonable premium (say, $200 or so), there's little reason not to spring for it and enjoy the added speed boost when you're exporting video. You can get a comparative idea of a laptop's graphics performance by glancing at its scores on our 3DMark benchmark tests, as well as our game-simulating graphics trials from Unigine.

If you're already carrying around dozens of pounds of camera and lighting equipment, the last thing you want is to add weight to your bag. Luckily, many very powerful laptops weigh less than 3 pounds these days. The thinnest and lightest won't have discrete GPUs or displays larger than 14 inches, but you may be able to do without these features, especially if you've got a studio with a more powerful editing station where you do most of your cutting.

If you're slimming down, however, try not to lose too many ports. We recommend at least one Thunderbolt 3 port, which lets you connect to external displays via the DisplayPort standard, lightning-fast external drives, and pretty much any USB peripheral, such as external mice or keyboards, via an adapter. Some laptops, including all MacBook Pro models, only include Thunderbolt 3, which is a bit extreme since the standard is still relatively new. The sweet spot is one or two Thunderbolt 3 ports, and one or two regular USB 3.0 or USB 3.1 ports.

An SD card slot can also be useful for transferring footage directly from your camera to your laptop, and all laptops should have an audio port for connecting headphones to use while editing on the plane or in a cafe.

With many laptops these days offering at least full HD (1,920-by-1,080-pixel) resolution, your main screen consideration should be screen size, not pixel count. A 15-inch or 17-inch display will let you see more of your project timeline, but it comes at the expense of weight and heft. Meanwhile, a 12-inch display could have you squinting. The sweet spot, therefore, if you need to travel with your editing machine is 13 or 14 inches. Many laptops manage to squeeze a 13-inch or 14-inch screen into a chassis that otherwise would hold a smaller display by slimming down the bezel, or border, around the screen.

While full HD resolution is fine for many editing tasks, if you shoot primarily in 4K, you will want a screen resolution to match. Combine a 4K (that is, 3,840-by-2,160-pixel) screen, a four- or six-core processor, and a discrete GPU, though, and you'll likely end up with brutally short battery life. So, if you settle on a 4K screen, make sure it's feasible that you'll stick near a power outlet most of the time, and consider buying an external battery charger to use in a pinch. At the other end of the spectrum, don't choose a resolution below full HD in any video-editing machine.

If your video-editing tasks mostly involve arranging clips, mixing audio, and the like, you probably don't need to worry about the display's color capabilities. For more artistic or precision-minded jobs, though, such as shading and color correction, you'll want to pay attention to how many colors the screen can display and how it calibrates the color profile. Look for specs like P3 or Adobe RGB color gamut support and automatic calibration, features that are often rolled into a single marketing moniker such as HP's DreamColor. Screens with HDR support offer greater color contrast and could be helpful as well.

As mentioned earlier, you probably needn't worry about whether or not the laptop has a touch screen. Video editing involves precision and repetition, which are best suited to keyboard shortcuts and a mouse, not touch inputs. The one exception is the MacBook Pro's Touch Bar, a narrow, secondary touch screen perched forward of the keyboard, between it and the screen. It's designed with apps like Final Cut Pro and the Adobe Creative Suite in mind, and will pop up context-relevant shortcuts with supported software. It's essentially a function row for serious content creators that morphs according to the program in use.

If you're a novice editor or a veteran willing to switch up your workflow, the Touch Bar could be a useful way to scrub through clips, adjust audio levels, and perform other similar tasks. If you're buying a high-end MacBook Pro, the Touch Bar comes with the laptop, whether you want it or not, so you might as well experiment with it. But we don't recommend choosing an Apple laptop solely for this interface.

Video editors are among the class of creative professionals that stereotypically prefer to use Macs instead of PCs. Whether or not you fit that stereotype, if you're a veteran of the industry, you probably already have a preference, so we're not going to try to change your mind.

If you're OS-agnostic, however, you have a vast array of hardware choices if you decide to choose a PC over a Mac laptop. The biggest advantage of going with Windows 10 or Linux is the possibility of buying a workstation-class laptop with a many-core Intel Xeon processor, something not available on any Mac portable.

Another OS consideration is video-editing software. Final Cut Pro only works on Macs, although most other editing suites, from Premiere Pro to Avid Media Composer, are available on multiple platforms. If you're wedded to one program or another (and most serious video editors are), we'd expect that to play into your decision just as much, if not more, than the OS itself or the hardware available.

We've selected 10 of our top-rated models for video editing below. Some are gaming laptops, others are mobile workstations, and there are even a few thin-and-light models. Any of them should be powerful enough for at least casual editing, and some are muscled-up enough for major editing tasks.

Ultimately, how much you'll have to budget depends on whether you're only using your video-editing laptop for quick work in the field, or whether you plan to bring it back to the studio, plug it in, and use it as your primary machine. If you're going the former route, you'll also want to take a look at our best desktops when it comes time to upgrade your main rig. If you're choosing the latter, you might want to familiarize yourself with our list of best gaming laptops, one of which may offer the power—especially the heftier CPU—you need for marathon editing sessions on deadline night.

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